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Saturday, September 27, 2014

84 CLASSIC MOVIES THAT WERE BOOKS FIRST



Not long ago, I was having a conversation with a friend about favorite movies, and we were talking about The Princess Bride. I don’t think I know anybody who doesn’t love that movie. It’s almost perfect. Anyway, I mentioned that William Goldman and I happened to attend the same high school and summer camp (albeit about 37 years apart).

“William Goldman,” I said. “You know, the guy who wrote the book.”

My friend replied, “It was a book?”

Yes, it seems that mainstream films sometimes erase memories of literature. So I’m going to remedy that by ranking the 84 best movies that were books first. It’s a bit of a challenge, mostly due to an embarrassment of riches. From 12 Angry Men to Apollo 13, from The Graduate to The Player to The Firm, Hollywood has been poaching literature for decades.

Friday, September 19, 2014

6 KIDS WHO UNEXPECTEDLY IMPACTED SPORTS


On this day 101 years ago – Sept. 19, 1913—an unknown amateur golfer made an 18-foot putt that transformed the sport.

My motivation for writing the children’s book FRANCIS AND EDDIE (Why Not Books, 2013) didn’t necessarily come from the fact that I think it ranks as perhaps the greatest underdog feat in championship sports—the tale of Francis Ouimet beating the best golfers in the world to win the U.S. Open. It wasn’t even because it struck me as the ultimate local-boy-makes-good story—a kid who literally lived across the street from the golf course in Brookline, Massachusetts, right near the 17th hole. He taught himself to play be sneaking onto the course in the dark and the rain, taught himself so well that he qualified to compete in the national championship, then sank an ultra-clutch putt on that very 17th green to shock the world and catapult golf onto the front pages for the first time.

No, that’s not why either. It’s because of Eddie Lowery.

Ouimet’s prospects were so dim that his regular caddie opted instead to carry the bag of a French pro, figuring he could share in some prize money. During a practice round, a boy named Jack Lowery had been an able replacement, but only minutes before Francis’s scheduled tee time for his Tuesday qualifying round, Jack was nowhere to be found. That’s when a tiny fellow, just four feet tall, came running up to the practice green and offered five words that would launch an iconic partnership: “I could caddie for you.”

Eddie Lowery was Jack’s little brother. He was skipping school. He was ten years old. “My bag’s as big as you are,” said Ouimet, but it could be that the golfer saw a bit of himself in the boy, an underestimated kid reaching for respectability. Or, perhaps he figured he had nothing to lose. “All right then, Eddie, let’s go,” he said. “Just please call me Francis.” And that is how, over the next several days, a child stood at the center of this extraordinary athletic saga.

There have been a great many precocious athletes. Joe Nuxhall pitched in the major leagues, for the 1944 Cincinnati Reds, at age 15. In 1976, 14-year-old Olympic gymnast Nadia Comaneci became an international sensation.  In August 2013, when she was still nearly two months short of her 11th birthday, California native Lucy Li became the youngest person ever to quality and compete in the USGA Women’s Amateur golf championship.

But that’s not what I’m celebrating here.

There have been a good many times, too, when kids have influenced play on the courts or fields. At the 2011 French Open, for instance, a ball boy mistakenly ran onto the court during a point, thinking the point was already over. At the same time, Victor Troicki was completing an overhead smash against Andy Murray, but the point had to be replayed. And Murray won it. But Troicki still won the game. So nothing really changed.

Sometimes, however, the unexpected appearance of a kid—as a replacement, a fan, an inspiration—has made all the difference, occasionally even a historic difference. So here is a six-pack of small wonders, starting with the earliest (and youngest):

1. Anonymous gold medalist (rowing, 1900, age 7)

One of the stranger chapters in Olympic history occurred during the infancy of the modern Games at the 1900 Summer Olympics in Paris. It happened during a rowing event called coxed pairs, which features boats with two rowers and one coxswain (the lightweight person who sits in the boat and directs the rowers). Before the finals of the event, the team from Holland decided that the coxswain they normally used was too heavy. So legend has it that the decision-makers opted to replace him with a young French boy that they plucked from the crowd. Naturally, it wouldn’t even be close to allowable these days. The boy, whose name has been lost to history, may have been as young as seven years old. But he and his new teammates won the gold medal.

2. Eddie Lowery (golf, 1913, age 10)

At the 1913 U.S. Open, they made for an odd-looking pair, Francis Ouimet and Eddie Lowery. The golfer was lanky and loose-limbed; the caddie was small even for his age, ruddy-cheeked, with a hint of mischief in eyes peeking out from beneath a white bucket hat. By the end of the tournament, they would be dressed almost exactly alike, walking side by side, each bolstering the other. Francis made Eddie feel important, and Eddie made Francis feel at ease amid the maelstrom of world-class competition, even when they later spotted a gaggle of dignitaries surrounding a particularly corpulent fellow in the gallery. All of the anxiety that accompanies swinging a golf club in front of former President William Howard Taft is diminished when your caddie asks, “Who’s the big fat guy? He looks kinda familiar, doesn’t he?”

As Mark Frost, author of TheGreatest Game Ever Played, put it, “It was almost as if somebody rubbed a lamp and said, ‘Give me someone who will give Francis confidence.’ And the perfect person shows up. He just happens to be half of Francis’s size.” Early in their first round together, Francis turned to Eddie and said, “I think you and I are going to be good friends.” Their friendship endured for more than half a century.

3. Johnny Sylvester  (baseball, 1926, age 11)

During the 1926 World Series, 11-year-old John Dale Sylvester asked Babe Ruth to autograph a baseball. Sylvester, a fine ballplayer himself and a diehard Yankees fan asked the favor of his idol from his hospital bed (a horse had kicked him in the head, leading to life-threatening brain inflammation). On a ball signed by every Yankee, Ruth wrote, with somewhat befuddling grammar, “I’ll knock a homer for Wednesday’s game.”

He didn’t. He hit three in Game 4, an unprecedented feat. Was Ruth motivated by the promise? Who knows? The Yanks actually wound up losing the series, the last out coming when Ruth was thrown out attempting to steal second base.

As for Sylvester (who lived to the age of 74 and became a business executive), he found himself with some pretty sweet possessions, including an autographed football from Red Grange and a tennis racket from Bill Tilden (sad irony: Tilden was later revealed to be a pedophile). All three collectibles went up for auction in on February 6, 2014, which would have been—no coincidence—Babe Ruth’s 119th birthday.

4. Joe Relford (baseball, 1952, age 12)

It used to be that when a baseball team was losing badly, frustrated fans would get a kick out of yelling, “Put in the batboy!” But on July 19, 1952, Charlie Ridgeway, the manager of the Class D Georgia State League’s Fitzgerald Pioneers, actually did it. With his team down 13-0, batboy Joe Relford stepped up to the plate as a pinch-hitter. He grounded sharply to third to end the inning, but he followed that with an excellent defensive play in centerfield. After the game, fans ran onto the field to congratulate him, stuffing his pockets with money. Sadly, however, both the umpire and the batboy lost their jobs that day, and the manager was fined and suspended—not because Relford was 12, but because he was the first African-American player in the league.

5. Jeffrey Maier (baseball, 1996, age 12)

Game 1 of the American League Championship Series—October 9, 1996, Yankee Stadium. Bottom of the eighth inning, and the Baltimore Orioles led 4-3. Young New York shortstop Derek Jeter stepped to the plate and clubbed a long fly ball to deep right field. Baltimore right fielder Tony Tarasco camped under it, ready to catch the near-miss. Except that’s when 12-year-old Jeffrey Maier reached over the outfield fence and plucked the ball into the bleachers. “And what happens here?” shouted announcer Bob Costas. “The contention by Tarasco is that the ball is descending, and the fan touches it. He’s right! He’s right!”

Replays confirmed that the ball likely would have been caught by Tarasco, but umpire Richie Garcia ruled it a game-tying home run. Maier was lifted on to the shoulders of fans in right field. “Certainly, he’s affected the course of the game,” said Costas, to which color commentator Bob Uecker added, “And maybe the Series!” Indeed, the Yankees won the game in extra innings and went on to win the World Series, the first of four New York titles in five years. Maier went on to play college baseball, becoming the all-time hits leader for the University of Connecticut. But when he was 12, one headline read: THE KID CATCHES ON AS NEW YANKEE HERO.

6. Nick Gilbert (basketball, 2011, age 13)

Nick Gilbert suffers from neurofibromatosis, a nerve order that causes tumors to sprout on a whim. But his father, Dan, is the owner of the NBA’s Cleveland Cavaliers, and he—along with most of the fans in Cleveland—think Nick is one of the luckiest kids on the planet. Or at least a good luck charm. In 2011 the 13-year-old stood there, his eyes wide through his thick lenses, and represented the Cavs at the NBA draft lottery. Cleveland had a 2.8 percent chance of drawing the top pick. Yet that’s exactly what happened. Two years later, with Nick again serving as the face of the franchise, they had a 15.6 percent chance of repeating the feat. Once again, as Nick’s serious look contradicted the vibe of his maroon bowtie, Cleveland again drew the top pick. Did Nick actually actively do anything to make this so? Well, no. But as one sports columnist put it, “Certainly, there’s no skill involved when it comes to hunching over a team-addled podium while waiting for your name to be called. With Nick Gilbert, it’s about presence.”


Friday, September 12, 2014

34 UNFORGETTABLE ISLAND SETTINGS


A few years ago, author Judith Schalansky published a widely praised book called The Atlas of Remote Islands. She pairs full-color cartographic drawings with compelling narratives about lore and legend and science and history, the aim being to celebrate the cartographic unknown.

That’s one way of exploring uninhabited or sparsely populated blips of land amid endless seas. Another way is to read some classic fiction.

As setting goes, every island is brimming with possibilities that affect plot, character, mood. It is isolation and introspection, seclusion with no place to hide, a place that seems both manageable and unfathomably mysterious. It is new life or a slow death, terror or revelation. Or sometimes all at once—just re-read Lord of the Flies, which was published 60 years ago this month.

So it is no wonder that many renowned authors have taken their readers to remote islands for some of their most famous stories—authors like Jules Verne, Robert Louis Stevenson, H.G. Wells, Virginia Wolff, Agatha Christie, and Michael Crichton. And they’ve stranded iconic characters like Long John Silver and Robinson Crusoe, Piggy and Prospero. Island protagonists (and antagonists) have been shipwreck survivors, prison escapees, accidental adoptees, treasure hunters, exiled rulers, explorers, mad scientists, and murder suspects.

So let’s take a trip to some uncharted isles. No Hawaii here (sorry, James Michener). No United Kingdom (sorry, Bill Bryson). Jamaica is by no means overlooked and secluded, so we’ll steer wide of Jean Rhys’s Wide Sargasso Sea. No Long Island (sayonara, Gatsby).For that matter, no island of Manhattan.

No, here we celebrate remote (usually) spits of land—the kind that become lead characters in the story. Agatha Christies A Caribbean Vacation doesn’t count. But Indian Island from And Then There Were None? You bet. Any good island explorer seeks out the unusual—or at least the legendary. So break open a coconut and have a seat for this installment of the Why Not 100—34 unforgettable island settings:

1. The Island of Despair

Daniel Defoe’s Robinson Crusoe is the shipwrecked tale that inspired all others. There’s even a genre of “desert island story” known as a Robinsonade. Crusoe is stranded with two cats and a dog on what he calls the Island of Despair (probably based on the Caribbean island of Tobago). He excavates a cave, builds a canoe, hunts, grows crops, makes pottery, fends of mutineers and cannibals, and rescues a fellow whom he calls Friday. The first edition, published in 1719, actually credited the title character as the author, and many readers believed it was a travelogue.

2. Treasure Island

Robert Louis Stevenson left us with iconic characters—Long John Silver, Billy Bones, Ben Gunn. And an iconic scenario—an island bearing lost pirate treasure. Captain Flint calls it Skeleton Island. To protagonist Jim Hawkins (and to Stevenson for a book title), it’s Treasure Island. The duality symbolizes the risk and reward of the adventure.

Friday, September 5, 2014

7 TIPS FOR THE PERFECT AUTHOR VISIT



I wish an author had visited my elementary school back in the day. I was just beginning to become enthralled by the written word—Judy Blume and Roald Dahl and J.R.R. Tolkien. The chance to see a real live author, up close and in person? I’m sure I’d still remember it.

It is that thought that drives me when I visit schools as a guest author, telling students about how I became a writer, about the fun stuff I get to do as a writer, about where my ideas come from. When the kids and I create a goofy story together, and I see their eyes light up, it sustains me. It makes up for the occasional times when the school seems to regard my visit as an afterthought. Or when the librarian hasn’t bothered to stock my books. Or when some first graders are intent on playing with the Velcro on their shoes.

Yes, an author visit is—in my humble opinion—a fantastic way to inspire young readers and writers. But not every author visit is created equal. And it is often the efforts of the host that make the difference.

With that in mind—and now that school is back in session—we at the Why Not 100 are turning this post over to an author who is to school visits what cheerleaders are to school pride. Michael Shoulders is energetic. He is fearless (you’ll see what I mean if you ever get to see him rap one of his books). And he loves his job. A former educator who has written more than a dozen picture books (including T is for Titanic, G is for Gladiator, and Say Daddy!), he is the kind of author every school librarian dreams of finding.

Take it away, Mike…

Thursday, July 24, 2014

26 LITERARY FACTOIDS FROM A TO Z




In my latest American travel memoir, Turn Left at the Trojan Horse, I passed through a town called Laporte, located in the Endless Mountains of Pennsylvania. There I met a remarkable woman who called herself Mollie Sheldon Elliot. It turns out that Mollie, Sheldon, and Elliot are three of more than a dozen disparate personalities within her, the products of dissociative identity disorder stemming from childhood molestation. Each is aware of the others, a group that includes a baby, a teenager, a fellow who speaks with an Irish brogue, even an elderly Native American man. When talking about herself, she uses the pronoun “we.”

“We started out with four of us who were together all the time, and then we began to suspect—and that was part of the midlife crisis—that there were other personalities hanging around,” she told me. “We sensed that there were more, and we’ve had a series of alters—that’s the word psychologists use—show up. We kind of view it as coming in from the cold.”

She is, in fact, a warm and intelligent woman—and an author. A few years back, she wrote an autobiography about her experiences. She called the book Portrait of Q, which is what she calls the system that constitutes herself. The Trekkie in me understood the reference immediately. Q was a recurring character on “Star Trek: The Next Generation,” who possessed both an individual and communal perspective as part of the Q Continuum, an omnipotent collective of beings who seemed to guide the fortunes of mankind.

So in honor of Mollie Sheldon Elliot—really, in honor of Q, my favorite pen name—we at the Why Not 100 offer an alphabet of literary information that might someday be useful, if only to impress your friends:

A is for A.A. Milne, who first published Winnie-the-Pooh in 1926. Yep, the hyphens were there at first—until Disney adopted the books into a series of features and dropped them. Did you know it was translated into Latin (Winne Ille Pu) and in 1960 was the first Latin language book ever to hit The New York Times bestseller list? Did you know that Milne had a son name Christopher Robin? Did you know that Christopher named his toy bear after “Winnie,” a Canadian black bear at the London Zoo who had in turn been named by the hunter who captured him after his adopted hometown of Winnipeg? Did you know that Pooh had been the name of a swan? Now you do.



B is for Junie B. Jones, the bestselling children’s book series by a couple of B’s—author Barbara Park (who sadly died at age 66 in 2013) and illustrator Denise Brunkus. The character’s middle initial stands for Beatrice, and Juniper Beatrice Jones has been featured in more than two-dozen books since the original (June B. Jones and the Stupid Smelly Bus) in 1992. Among the best titles are Junie B. Jones and… Her Big Fat Mouth (1993), the Yucky Blucky Fruitcake (1995), and the Mushy Gushy Valentime (1999). In 2001, she finally graduated from kindergarten to first grade. 

C is for vitamin C, which has been the subject (believe it or not) of numerous books. Among the titles are these: Vitamin C and the Common Cold; Cancer and Vitamin C; Vitamin C: The Master Nutrient; Vitamin C: The Real Story; Ascorbate: The Science of Vitamin C; The Vitamin C Controversy; Curing the Incurable: Vitamin C, Infectious Diseases, and Toxins; and Vitamin C The Future is Now. Depending on which national agency you respect most, an intake of 40-100 milligrams of Vitamin C daily is recommended.

D is for D-Day. Rave all you want about Steven Spielberg’s WWII epic film Saving Private Ryan, but it’s another Ryan—Cornelius Ryan—who wrote the definitive book about D-Day. Although there have been numerous books written about the massive Allied invasion of Normandy on June 6, 1944, the best might be Ryan’s The Longest Day. It was written in the late 1950s when the participants’ memories were still vivid. Ryan, who spent three years interviewing D-Day survivors on both sides of the Atlantic, combined personal stories with a sweeping narrative, and historians generally have relied on his research to bolster their own subsequent versions of the invasion. Ryan later wrote A Bridge Too Far about the airborne invasion of Holland.

E is for the e-book. So who should get credit for inventing it? Should it be Bob Brown, who wrote an entire book in the 1930s about a theoretical invention of a reading version of the “talkie?” Should it be Roberto Busa, who prepared an annotated electronic index to the works of Thomas Aquinas in the late 1940s? Should it be Andries van Dam, who headed the Hypertext Editing System at Brown University in the 1960s and likely coined the term “electronic book?” Maybe. But we prefer to give the credit to Angela Ruiz, a teacher from Galicia, Spain, who patented the first electronic book in 1949. Why? Because she thought it was be easier for her students to carry fewer books to school.

F is for F. Scott Fitzgerald. Here are four fascinating facts about Fitzgerald: 1. Before he was a novelist, he was an ad man. In My Lost City, he later wrote, “I was a failure—mediocre at advertising work and unable to get started as a writer.” 2. Other titles that Fitzgerald considered before settling on The Great Gatsby included Incident at West Egg, The High-Bouncing Lover, Among the Ash Heaps and Millionaires, and Gold-Hatted Gatsby. 3. The original screenplay for the film adaptation of that classic was written by Truman Capote. It was rejected. Francis Ford Coppola then finished his own draft in three weeks. 4. Fitzgerald’s advance for The Great Gatsby was $3,939. He made $16,666 off the movie rights.

G is for G. Gordon Liddy, who spent nearly 52 months in prison after being revealed as the chief operative for the White House Plumbers unit during the Nixon Administration and man behind the burglaries of the Democratic National Committee headquarters in the Watergate building in 1972. Eight years later, he published an autobiography titled Will, which sold more than (ugh) one million copies and was made into a TV movie. In the book, Liddy claims that he once made plans to kill investigative journalist Jack Anderson—only because he heard someone in the White House say, “We need to get rid of this Anderson guy,” and he interpreted it literally.

H is for H.G. Wells. On the one hand, Herbert George Wells was a prolific writer well beyond the science fiction genre, dabbling in everything from history and politics to contemporary novels and textbooks. Yes, he wrote The War of the Worlds, The Time Machine, and The Invisible Man. But he also wrote titles like The Outline of History. On the other hand… he once married his cousin, a union that lasted four years until he left her for one of his students, whom he married, though he later fathered two children with two other women. So either way, he was more than just the father of science fiction.

I is for I, Claudius, the 1934 novel by Robert Graves, which has one of the quirkiest and most memorable openings in literature: I, Tiberius Claudius Drusus Nero Germanicus This-that-and-the-other (for I shall not trouble you yet with all my titles) was was once, and not so long ago either, known to my friends and relatives and associates as “Claudius the Idiot,” or “That Claudius,” or “Claudius the Stammerer,” or “Clau-Clau-Claudius” or at best as “Poor Uncle Claudius,” am now about to write this strange history of my life; starting with my earliest childhood and continuing year by year until I reach the fateful point of change where, some eight years ago, at the age of fifty-one, I suddenly found myself caught in what I may call the “golden predicament” from which I have never since become disentangled.


J is for J.R.R. Tolkien—that’s John Ronald Reuel. At the age of 16, he met Edith Mary Bratt, and they fell in love. But Tolkien’s guardian (a strict Catholic who had raised him after Tolkien’s mother died) forbade him from even corresponding with the Protestant girl until he was 21. He reluctantly complied until his 21st birthday, on which he wrote to her, declaring his love. She thought he had forgotten her and told him that she had agreed to marry another man. But they met beneath a railway duct and renewed their love (Edith returned her engagement ring). They were married for nearly six decades until Edith died in 1971. Tolkien’s classic The Silmarillion tells the tale of Luthien, the most beautiful of all the Children of Illuvatar, who forsook her immortality for her love of the mortal warrior Beren. When Tolkien died 21 months after his beloved wife, he was buried in the same grave as Edith. On the tombstone are the words Beren and Luthien.

K is for Knifeball, the name of a book by Jory John and Avery Monsen—“an alphabet of TERRIBLE advice.” Poems and adorable illustrations suggesting awful decision-making.
                  A is for Apple. Eat one ever day.
                  And then wash it down with your mom’s cabernet.
                  B is for blender. Your daddy won’t mind
                  if you drop in his Rolex and set it to grind.
                  C is for cop with a big shiny gun.
                  Sneak up and tickle him. That’ll be fun.

It only gets worse (better really) from there… F is for setting Daddy’s wallet on fire (and then REALLY hearing F-words), O is for opening things with your teeth, and R is for raccoon (but definitely not rabies). Previously, the authors wrote the even more successful picture book All My Friends Are Dead.

L is for Louis L’Amour. At the time of his death in 1988, more than 100 of his books were still in print. A complete collection of his works can be found at the Louis L’Amour Writer’s Shack, which is tucked into the end of a re-created prairie town called Frontier Village in Jamestown, North Dakota. That village is surrounded by a herd of bison and the National Buffalo Museum, as well as the World’s Largest Buffalo—a sculpture 26 feet tall, 46 feet long, built in 1959 out of 60 tons of concrete.

M is for M. Night Shyamalan, the Indian-American screenwriter and film director of supernatural successes like The Sixth Sense, Signs, and The Village. Shyamalan (the M is for Manoj) grew up a Steven Spielberg fan, and by the time he was 17 he had used his Super-8 camera to produce 45 homemade movies. In 2004, the Sci-Fi Channel produced a “documentary” special called “The Buried Secret of M. Night Shyamalan,” in which it claimed that the writer-director had once been dead for nearly a half-hour while drowned in a frozen pond following a childhood accident before being rescued and that he had afterward communicated with the supernatural. It was all a hoax. Shyamalan was in on it. Sci-Fi’s parent company, NBC Universal, issued an apology. M is for misstep.

N is for Stephen King’s “N”. N is for novella (it appeared in his 2008 collection Just After Sunset). N is for two narratives—one about a psychiatrist treating a patient known only as “N” and the other following the psychiatrist’s sister exploring why her brother committed suicide. N is for neurotic (“N” suffers from OCD and paranoid delusions). N is for numbers. The patient is convinced that people who see seven stones in a nearby field instead of eight may allow a monster to break through into their reality. In fact any odd numbers are bad, especially prime ones. Finally, N is for a newspaper clipping revealing that (spoiler alert) after “N” kills himself and his psychiatrist follows suit, so does the shrink’s sister.

O is for O. Henry. His real name: William Sydney Porter. Actually it was William Sidney Porter, but for some reason he changed the spelling of his middle name when he was in his thirties. More quirky facts: He once started a satirical weekly called The Rolling Stone. For years, he gathered ideas for his columns and stories by loitering in hotel lobbies and observing people there. In 1896, he was  arrested for embezzlement from a bank and fled to Honduras. He later spent three years in prison, publishing 14 stories under pseudonyms while under lock and key. One of the pseudonyms was “O. Henry,” which first appeared over the story “Whistling Dick’s Christmas Stocking.” He once mentioned that the “O” stood for “Olivier.” A heavy drinker, he died in 1910 of cirrhosis of the liver. There are elementary schools named for this alcoholic-embezzler-writer in North Carolina and Texas.

P is for P.G. Wodehouse. During a career that lasted more than seven decades (until his death in 1975 at the age of 93), English humorist Sir Pelham Grenville Wodehouse produced a diverse body of work—poems, plays, novels, short stories and song lyrics. His fans and supporters have included the likes of George Orwell, John Le Carre and J.K. Rowling. But he had his critics, including A.A. Milne (see above) of Winnie the Pooh fame. Wodehouse responded by wiring a short story parody called Rodney Has a Relapse, which included an absurd character named Timothy Bobbin. Another critic, playwright Sean O’Casey, called Wodehouse “English Literature’s performing flea.” When Wodehouse produced a collection of letters to a friend, he gave it the title Performing Flea.

Q is for Q from the James Bond films, who is obliquely referenced by never actually appears in any of the Ian Fleming novels. Short for “Quartermaster,” it is actually a title, not a name, as he (or she) serves as head of the fictional research and development division of the British Secret Service. Among the best gadgets that Q has provided for Bond over the years: a wrist-mounted dart gun in Moonraker, a hydroboat fitted with a jet engine in The World is Not Enough, a stun gun/car remote control/fingerprint reading cell phone in Tomorrow Never Dies, a Lotus Esprit that could transform into a submarine in The Spy Who Loved Me, and an Aston Martin outfitted with a cloaking device in Die Another Day.

R is for R. In The World is Not Enough, Bond fans were introduced to an assistant to Q, played by the irrepressible John Cleese, who initially portrayed him as somewhat awkward and clumsy. Bond asked the elder Q, “If you’re Q, does that make him R?” And that’s how Cleese was credited in the film. After R proved himself via cool gadgets and cool-enough professionalism, Bond began referring to him as Q.

S is for “S,” published in 2013. Here’s The New Yorker’s Joshua Rothman’s take on it: “S,” the new mystery novel by J. J. Abrams and Doug Dorst, may be the best-looking book I’ve ever seen. From the outside, it looks like an old library book, called “Ship of Theseus” and published, in 1949, by V. M. Straka (a fictitious author). Open it up, though, and you see that the real story unfolds in Straka’s margins, where two readers, Eric and Jen, have left notes for each other. Between the pages, they’ve slipped postcards, photographs, newspaper clippings, letters—even a hand-drawn map written on a napkin from a coffee shop. To solve the book’s central mystery—who is V. M. Straka, really, and what does he have to do with Eric’s sinister dissertation advisor?—you have to read not just “Ship of Theseus,” but all of Jen and Eric’s handwritten notes. The book is so perfectly realized that it’s easy to fall under its spell. The other morning, I was so engrossed in a letter from Jen that I missed my subway stop.”

T is for Mr. T (born Laurence Tureaud), who wrote the colon-happy book Mr. T: The Man With the Gold: An Autobiography. Consider this commentary—how tongue-in-cheek, it’s difficult to say—by an Amazon.com reviewer known as 2nearsighted: “I have been a huge Mr. T fan ever since the A Team, and I have continued to follow his career ever since. His book not only is a surprise in terms of its literary merit, but it's an inspiration. Mr. T came from nothing, to turn himself into one of the finest American actors, and a beloved personality. My only lament is that the book is not more widely read, because, as an autobiography, it ranks with THEY CALL ME ASSASSIN by Jack Tatum, ME by Katherine Hepburn, and Kareem Abdul Jabbar's GIANT STEPS. In fact, it's better. Mr. T has a better sense of rhythm to his language; he's more psychologically insightful; and he has a voice as strong as any in modern fiction—like a cross between Bellow's Augie March and Joe Frazier. I have read the book several times, and I recommend it to anyone who likes a true story, well told.”

U is for U2 by U2, the definitive, official history (published in 2009) of one of the most famous bands in the history of rock and roll, compiled from interviews given by the four band members. The band’s origins were in Dublin in 1976. A 14-year-old drummer named Larry Mullen, Jr. posted a note on his high school bulletin board seeking musicians for a new band. The quintet that eventually formed called itself “Feedback.” It included Mullen, bass player Adam Clayton, guitarist Dave Evans (later nicknamed “The Edge”), and vocalist Paul Hewson (later nicknamed “Bono Vox” and eventually simply “Bono”). The fifth band member? That was Dave’s brother, Dick, also a guitarist. But early on, he left Feedback to join another Dublin band. Ever heard of the Virgin Prunes?

V is for V: The Original Miniseries, a two-part sci-fi event which aired in 1983. Written and directed by Kenneth Johnson. It launched a franchise about “The Visitors”—about deceptively friendly aliens trying to gain control of Earth. But everything is derivative. The film versions of the story have been said to resemble everything from a stage play (“The Private Life of the Master Race” by Bertolt Brecht), a short story (“To Serve Man” by Damon Knight, and a novel by Arthur C. Clark called Childhood’s End.

W is for W is for Wasted, the latest installment of mystery master Sue Grafton’s alphabet series. Here’s Grafton’s version of the first 22 letters of the alphabet: Alibi, Burglar, Corpse, Deadbeat, Evidence, Fugitive, Gumshoe, Homicide, Innocent, Judgment, Killer, Lawless, Malice, Noose, Outlaw, Peril, Quarry, Ricochet, Silence, Trespass, Undertow, Vengeance.

X is for The Joy of X: A Guided Tour of Math from One to Infinity. Author Steven Strogatz, expanding on his popular series for The New York Times, has been described as “the math teacher you wish you had.” He explains some of math’s oft-imposing ideas clearly and wittily in areas from law and medicine and business to philosophy, pop culture and art. Booklist described it as “a high-spirited romp through complex numbers, standard deviations, infinite sums, differential equations, and other mathematical playgrounds.” Among the subjects he expounds upon: how Google searches the internet, how to determine how many people you should date before setting down, and how often you should flip your mattress.

Y is for The End of Mr. Y, written by Scarlett Thomas and published in 2006. It is a book about a book of the same name that no one alive has read—until Ariel Manto does so. This is how the publisher described it: “Seeking answers, Ariel follows in Mr. Y’s footsteps: She swallows a tincture, stares into a black dot, and is transported into the Troposphere—a wonderland where she can travel through time and space using the thoughts of others. There she begins to understand all the mysteries surrounding the book, herself, and the universe. Or is it all just a hallucination?”

Z is for Z is for Zzz… Part of the “Mysterious You” children’s picture book series, its subtitle is: “The Most Interesting Book You’ll Ever Read About Sleep.” The author, Trudee Romanek, discusses everything from yawning to nightmares to sleepwalking to hibernation. And these three factoids: 1. Mozart was inspired by music he heard in his dreams, 2. Gorillas who have learned sign language have been known to sign in their sleep, and 3. If a person lives to be 70, they will have spent 23 years of their life sleeping.